Writer/director Djibril Diop Mambéty’s “Touki bouki (Journey of the Hyena)” finally gets a solo Criterion release. 5. - Ousmane Sembène. Restored by the Cinémathèque Royale de Belgique in collaboration with Hou Hsiao-hsien and The Film Foundation’s World Cinema Project. Following the establishment of the Islamic government in 1979, the film was banned because of its non-Islamic content and the reels were subsequently declared lost. Arabic, French with English subtitles, COLOR INFO: Martin Scorsese’s World Cinema Project No. In 1961, shortly after Senegal declared its independence from France, Ousmane Sembène, a self-educated dockworker, assigned himself an impossible task: to create a true African cinema as a “night school” for his people. Image: © Courtesy of Edward Yang Estate/CMPC, WRITTEN BY: The original sound was digitally restored using the 35 mm original soundtrack negative. World Cinema Project - Volume 2 aka Martin Scorsese’s World Cinema Project [Blu-ray] 9 discs (3 Blu-rays / 6 DVDs): Blu-ray One: Insiang (Lino Brocka, 1976) and Mysterious Object at Noon (Apichatpong Weerasethakul, 2000). is explosive debut—a film described as the first African feature (true in spirit, if not in fact)—inspired a form of fearless, socially engaged, and uncompromising cinema across the globe. In 2007, Martin Scorsese created the World Cinema Foundation, a non-profit organization that exists to preserve and restore films from around the world that might not otherwise not only fail to find an audience but even survive the brutal passage of time. Restored by The Film Foundation’s World Cinema Project and Cineteca di Bologna at L’Image Retrouvée and L’Immagine Ritrovata laboratories. Color grading was supervised by Mohammed Lakhdar-Hamina. Shadi Abdel Salam, EDITING: Be the first to write a review. Mariano Rodríguez, Granada, Carlos Toussaint, STARRING: A vintage print of the film was used as reference for color grading. Criterion has collected each of these six early restorations from the World Cinema Project—in each case either making their digital debut or arriving back in print—in a new box set, with two films included on each of three Blu-rays discs. And what better way than to release these "lost" films than have the best home-video company, Criterion, release this set in gorgeous high-definition. Restored by Cineteca di Bologna/L’Immagine Ritrovata laboratory, in association with Ahmed El Maanouni. The restoration of Al Momia used the original 35mm camera and sound negatives preserved at the Egyptian Film Center in Giza. 1. 3", The 100 Best Films Of World Cinema|Movies|Empire, https://en.wikipedia.org/w/index.php?title=World_Cinema_Project&oldid=995171190, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 December 2020, at 16:54. Revenge (Ermek Shinarbaev, 1989) and Limite (Mário Peixoto, 1931). Martin Scorsese’s World Cinema Project Winner of the prestigious Golden Bear at the 1964 Berlin International Film Festival, Metin Erksan’s wallop of a melodrama follows the machinations of an unrepentantly selfish tobacco farmer who builds a dam to prevent water from flowing downhill to his neighbors’ crops. Rachid Boudjedra, Tewfik Fares, Mohammed Lakhdar-Hamina, DIRECTOR OF PHOTOGRAPHY: He began making films for Andjar Asmara in the late 40s and then started Perfini (Perusahaan Film Nasional Indonesian) in 1950, which he considered his real beginning as a filmmaker. It's not available on other websites! Egypt, LANGUAGE: There was only a censored VHS, of very poor quality, circulating through informal channels. Martin Scorsese’s World Cinema Project began in 2007, with a commitment to restoring and releasing films from parts of the world where filmmaking was difficult for political and cultural reasons. Blu-ray Two:. Martin Scorsese's World Cinema Project gathers six notable features from five continents, spread between 1936 and 1981. Martine Chicot, DIRECTOR OF PHOTOGRAPHY: Restored by Cineteca di Bologna/ L’Immagine Ritrovata laboratory, in association with the Sembène Estate, Institut National de l’Audiovisuel, INA, Eclair laboratories and the Centre National de Cinématographie. Criterion’s “World Cinema Project, Vol. Martin Scorsese's World Cinema Project No. ANG LEE ON PRESERVATION. Spanish with English subtitles, RUNNING TIME: Dry Summer (1963) 4. Martin Scorsese's World Cinema Project gathers six notable features from five continents, spread between 1936 and 1981. Martin Scorsese’s World Cinema Project No. Restored in 2013 by Cineteca di Bologna/L’Immagine Ritrovata laboratory and Laboratoires Éclair, in association with The Film Foundation’s World Cinema Project, the Institut National de l’Audiovisuel, and the Sembène Estate. The Project throws its net wider than mere ethnographic interest. Specify my location. OSTI.GOV - OSTI.GOV is the primary search tool for Department of Energy science, technology, and engineering research information funded by the US Department of Energy and the organizational hub for the Office of Scientific and Technical Information. Agustín Jiménez, PRODUCER: Iran, LANGUAGE: Established by Martin Scorsese in 2007, the World Cinema Project expands the horizons of moviegoers everywhere. It is easy to restore a film’s image, but much harder to revive that feeling of seeing a classic for the first time. Based on the results, one of the more worthy ‘film culture’ projects of the past decade has been The Film Foundation’s World Cinema Project, which seeks to give a fair … INA. Mohammad Reza Aslani, EDITING: 4. New trailers added recently. Restored by The Film Foundation’s World Cinema Project at L’immagine Ritrovata laboratory in collaboration with Filmoteca de la UNAM and Cinémathèque française. To date, 42 films from Africa, Asia, Eastern Europe, Central America, South America, and the Middle East have been restored, preserved and exhibited for a global audience. As the daily and unrelenting indignities unfold, Diouana, the title character, literally loses her voice. WRITTEN BY: Contrary to what people think, we talk a lot in Africa but we talk when it’s time to talk. The World Cinema Project (WCP) preserves and restores neglected films from around the world. I love all men as if they were my brothers. To date, 43 films from Africa, Asia, Eastern Europe, Central America, South America, and the Middle East have been restored, preserved and exhibited for a global audience. Sinematek Indonesia, PRODUCTION DESIGN: Supriya Choudhury, Anil Chatterjee, Bijon Bhattacharya, Gita De, Gita Ghatak, Dwiju Bhawal, Niranjan Roy, COUNTRY OF PRODUCTION: If we managed to set up a group of cinéastes who all make cinema directed in the same direction, I believe that then we could influence a little bit of the destinies of our country. The critics walked out during the screening, as did the jury who pulled the film out of the competition. Mbissine Thérèse Diop, Anne-Marie Jelinek, Robert Fontaine, Momar Nar Sene, Ibrahima Boy, COUNTRY OF PRODUCTION: The World Cinema Project is a special program of the Film Foundation which works to restore and preserve lost or overlooked works of cinema from across the globe. The World Cinema Project makes unwavering strides to restore films to the best of their abilities. Restoration funded by The Film Foundation’s World Cinema Project. José San Vicente, Manuel San Vicente, MUSICAL DIRECTOR: We have suffered hunger and thirst. 85 minutes, PRODUCTION COMPANY: Three different cuts exist of this film: upon Mohammed Lakhdar-Hamina's wish, this restoration reconstructed the version that was awarded the Palme d'or at the Cannes Film Festival in 1975. Ahmed El Maanouni, EDITING: Shatranj-e Baad might be one of the most emblematic films in the history of Iranian cinema, even though its visibility was limited to a disastrous preview at Tehran International Film Festival in 1976. First up, consider the space you have available. I managed screen a 16mm print which, like all the prints I’ve seen since, had gone magenta. Ahmed El Maanouni, MUSICAL DIRECTOR: The film was scanned in 4K at Éclair Laboratories and restored at L’Immagine Ritrovata laboratory. 0 users rated this 4 out of 5 stars 0. In the case of films like Limite and Law of the Border , where extant materials are either incomplete or irrevocably damaged, the restoration efforts don’t overcompensate with digital manipulation; the films are simply presented in accordance with the technology that produced them. Founded by filmmaker Martin Scorsese at the 2007 Cannes Film Festival, the World Cinema Project has restored over forty films to date, generally from parts of the […] Pages: 1 2. 3 (The Criterion Collection) [Blu-ray] Blu-ray $50.99 Customers who viewed this item also viewed Page 1 of 1 Start over WRITTEN BY: To date, 31 films from Africa, Asia, Eastern Europe, Central America, South America, and the Middle East have been restored, preserved and exhibited for a global audience. After that, Shatranj- e Baad, was never screened again. While some of these restorations resulted in films or at least works by filmmakers who had been recognized, some never would have found their way to a modern audience without WCP. Marcello Gatti, MUSICAL DIRECTOR: DOWNLOAD. And it was during this period when Ismail developed an interest in filmmaking. A rich theme, and an astonishing piece of cinema. 2: (Insiang / Mysterious Object at Noon / Revenge / Limite / Law of the Border / Taipei Story) (The Criterion Collection) [Blu-ray+DVD] 4.6 out of 5 stars 17. [...] I then realized Borom Sarret, my first true short film. Central Motion Picture Corporation, Taipei, STARRING: Dancing is not a flaw in itself, but I never see an engineer dancing in front of his machine, and a continent or a people do not spend its time dancing. I tried to recount, with dignity and nobility, this uprising that then became the Algerian Revolution, an uprising not only against the coloniser, but against a certain human condition. What exactly is our debt to the past? Max Urban, PRODUCTION DESIGN: Anyway, the project is currently looking for a director. In subsequent private showings, Henri Langlois, Roberto Rossellini and Satyajit Ray had the opportunity to see the film in proper condition and congratulated the young director. The picture has a sense of history like no other, and it’s not at all surprising that Roberto Rossellini agreed to lend his name to the project after reading the script. Blu-ray Three: Law of the Border (Lütfi Ö. Now we can fully rediscover all the originality and modernity of this fascinating film, which has spent almost 45 years in the shadows. Special editorial projects by leading journalists at the Toronto Star. 22', ON COMPANY: Sheyda Gharachedaghi, ART DIRECTOR: The original monaural soundtrack was remastered from the Library of Congress’s print and a digital source from the British Film Institute, WRITTEN BY: Although the film rested in obscurity for a long time, its aesthetic value was rediscovered in 2000 by a new generation of critics and cinéphiles who classed it as one of Iran’s lost cinematic masterpieces. I think I would go as far as to say that we will have to go back and see some of the silent films and in that way find new inspiration. In the case of a film like Downpour , where extant materials were either incomplete or irrevocably damaged, the restoration efforts don’t overcompensate with digital manipulation; the film is simply presented in accordance with the technology that produced it. Overview - Established by Martin Scorsese in 2007, the World Cinema Project expands the horizons of moviegoers everywhere. And in the end, the film is strangely, even hauntingly consoling – the eternal burial, the final understanding of who and what we are… am very excited that Shadi Abdel Salam’s masterpiece has been restored to original splendor. Edward Yang, Yan Hangya, Yang Shunqing, Lai Mingtang, EDITING: The mission of the WCP is to preserve and present marginalized and infrequently screened films from regions generally ill equipped to preserve their own cinema history. Telephone: 323-436-5060, New York Lewat Djam Malam has been digitally restored using the original 35mm camera & sound negatives, interpositive, and positive prints preserved at the Sinematek Indonesia. The carefully measured pace, the almost ceremonial movement of the camera, the desolate settings, the classical Arabic spoken on the soundtrack, the unsettling score by the great Italian composer Mario Nascimbene – they all work in perfect harmony and contribute to the feeling of fateful inevitability. This is a visually and dramatically potent film about anger and disillusionment, about the dream of a new society cheapened and misshapen by government repression on the one hand and bourgeois complacency on the other. 28 films in the WCP have been released on disc by the Criterion Collection, or streaming on the Criterion Channel, or both. Access to Seneca's campuses is limited due to the COVID-19 pandemic.. 2 | Blu-ray Review - IONCINEMA.com, Martin Scorsese’s World Cinema Project is uneven but illuminating|AV Club, "Martin Scorsese's World Cinema Project No. Ricardo Castro, PRODUCTION DESIGN: Ibrahima Barro, STARRING: Taiwan, LANGUAGE: 1973's Touki-Bouki is a 'young lovers on the run' picture with a unique vision. MARTIN SCORSESE ON PRESERVATION . Restoration as Reimagining History. Djibril Diop Mambéty, EDITING: Bijou rooms can handle a smaller projected size of less than 100 inches, but you can find models that go all the way up to 300+ inches. Alcaff (Iskandar), Netty Herawaty (Norma), R.D. Plot Synopsis: . With a gap of four years, this Martin Scorsese’s World Cinema Project No. The mission of the WCP is to preserve and present marginalized and infrequently screened films from regions of the world ill equipped to provide funding for major restorations. The restoration was completed at L’immagine Ritrovata laboratory on March 2012. Duu-Chih Tu, STARRING: Condition is "Brand New". innovating and delivering video, data and connectivity services to the largest owners and managers of hotel and multifamily brands in the world. After leaving his position at the Film Society of Lincoln Center, Kent Jones became the foundation's executive director. Instantly deemed elitist, the film was refused by all the distributors. 90 minutes. WRITTEN BY: Mario Nascimbene, FROM: The mission of the WCP is to preserve and present marginalized and infrequently screened films from regions of the world ill equipped to provide funding for … Yu Weiyan, Edward Yang. 101, SET DESIGNER: Houri Etesam, STARRING: CAUTION!!! Information about critical dates and program delivery for … Momia has an extremely unusual tone – stately, poetic, with a powerful grasp of time and the sadness it carries. Blu-ray. The World Cinema Project (WCP) preserves and restores neglected films from around the world. I wanted to avoid any kind of Manichaean, caricatural and demagogic approach, which risked turning Waqai sanawat al-djamr into a sort of Western; good against evil, Algerians against French. Restored in 2009 by Cineteca di Bologna/L’Immagine Ritrovata laboratory, in association with The Film Foundation’s World Cinema Project, the Central Motion Picture Corporation, and the Edward Yang Estate. Juan Bustillo Oro, DIRECTOR OF PHOTOGRAPHY: 103 minutes, PRODUCTION COMPANY: A vintage print preserved at the Cinémathèque Française was used as reference. Dimensions: 3240 x 2175 px. Restored in 4K from the original camera and sound negatives and a first generation 35mm interpositive provided by the filmmaker. Rumors of a World Cinema Foundation/Criterion pact have been swirling for the past few years, and fortunately, they're true. To date, 43 films from Africa, Asia, Eastern Europe, Central America, South America, and the Middle East have been restored, preserved and exhibited for a global audience. The World Cinema Project (WCP) preserves and restores neglected films from around the world. Martin Scorsese’s World Cinema Project No. The World Cinema Project (WCP) preserves and restores neglected films from around the world. The restoration of Alyam, Alyam used the 16mm A/B rolls original camera and sound negatives preserved at Eclair Laboratories, where the 4K scan was performed. INA/Éclair/Cineteca/Sembene Family, STARRING: