nikon grand angle fx

While holding this lens in hand one really feels it like a solid metal premium art of work and amazingly it’s not that heavy and weighs only 1.5 lbs. Grand-angle.

It’s true that some of the very top lenses in terms of aperture, bokeh, and sharpness are primes, but the lines have been blurred as of late as the zoom options have improved. The step down in speed does impact low light performance and bokeh, but f/1.8 certainly isn’t a bad place to be. Pensez au cadre quand vous utilisez un grand-angle Ne laissez pas votre sujet tout seul au milieu de l’imagePhotographier au grand-angle c’est utiliser une focale plus courte que la focale 35mm utilisée par les reporters et photographes de rues (voir le dossier sur les objectifs 35mm). For everything from wildlife photography to events that require huge zoom, the Nikon 200-500mm f/5.6 E can get the job done.Keep in mind that this is an extraordinarily bulky and heavy lens. As mentioned above, the f/2.8E was released in 2015 with the notable addition of vibration reduction technology. And the cheaper the lens, the more likely it is to suffer from distortion.The good news for photographers is that all of Nikon’s new digital SLRs have a built-in distortion correction mode that helps offset the weaknesses of a lens. It’ll save you about $400 but has considerably slower autofocus.It’s not often that we include two lenses at the same focal length and from the same manufacturer, but Nikon’s nifty fifties deserve it.

In addition, we love the focal length range: many camera manufacturers go for a 16-35mm as their top wide-angle zoom, which doesn’t go as wide as this Nikon and has crossover with the 24-70mm f/2.8, our top pick.If the cost and weight of the Nikon 14-24mm f/2.8 are too much for you to swallow—not to mention this lens is now over a decade old and counting—there are some interesting alternatives below. For professionals and discerning enthusiasts, the 14-24mm f/2.8 is Nikon’s top wide-angle zoom. At just 12.6 ounces, this lens will help save the back of any landscape or outdoor photographer who relies on carrying their kit over long distances. Most pro-level lenses are at or below an f/2.8 maximum aperture (f/2.8, f/1.8 and f/1.4, for example), and many inexpensive zoom lenses are f/3.5 and above. J'en suis très satisfait.

Sélectionnez la section dans laquelle vous souhaitez faire votre recherche. It’s interesting to note that Nikon hasn’t updated their 14-24mm f/2.8G in over a decade, which makes it harder to compete with newer and improved lenses from other brands. Sigma has integrated HSM (Hyper Sonic Motor) in this lens for quick, quiet, and smoother autofocusing system and also one can control it by focusing manually.Sigma has built this lens while keeping professional photographers in mind, and it shows. Nikon’s 14-24mm f2.8G lens keeps the edges straight instead of distorting them; this gives a really natural look to your shot. And the 50mm f/1.4G happens to be one of Nikon’s top prime lenses: it’s sharp, performs extremely well in low light, has fast and accurate autofocus in most circumstances, and impressive bokeh.

We recommend the Nikon AF-S VR Zoom-Nikkor 70–300mm f/4.5–5.6G IF-ED as your telephoto, the Sigma 10–20mm F3.5 EX DC HSM for a wide-angle option if you have a … Face au Nikon, on reste dans l’excellence mais à un prix plus doux. In low light conditions, one doesn’t have to worry as with f/1.8; this lens can easily handle difficult lightning conditions.The Extra-low Dispersion (ED) elements in this lens will provide beautiful color correction and also manages to deliver really great sharpness; it also reduces chromatic aberration. f/1.8. Voici les quelques références disponibles actuellement, dont une à mise au point manuelle.Le Nikkor Z 14-30mm f/4 S, un objectif grand angle pour hybride plein formatPour le moment, Nikon ne propose qu’un hybride APS-C, le Z50, et n’a pas encore sorti d’optique grand angle pour ce format dans cette monture.L’entrée de Nikon dans le monde des full frame hybrides est relativement récente. Si vous avez déjà réfléchi à la question, il est possible que vous en ayez déjà choisi un autre qui ne se trouvera peut-être pas dans l’article. These impressive digital cameras pack large image sensors into compact bodies, offering some of the best image and video quality on the market with less bulk than a DSLR...Welcome to our Darkroom! Another factor in gauging low light performance is image stabilization. However, we can’t help but love the creamy bokeh and incredibly crisp images produced by the Nikon f/2.8E.

But as we know, cutting costs often comes with a few sacrifices and lenses are no exception. And we keep coming back to price: the f/1.8 is less than one-third the cost of the f/1.4, which is why we give it the nod here. Je vous présente ci-dessus les Voici selon moi les 4 meilleures optiques Nikon pour boitier APS-C :Le détail des caractéristiques techniques principales de ces 4 objectifs se trouve dans Cette nouvelle version du Tamron 10-24mm se démarque de l’ancienne par sa stabilisation et du 10-24mm f/3.5-4.5G proposé par Nikon.

Fast aperture like f/1.4 works crazy and delivers really good results as compared to f/2.8 or f/3.5. Where we’ll be reviewing each and every single model of the wide angle lens that we’ve mentioned in this guide. Si vous comptez utiliser le plus souvent votre grand angle à ces ouvertures, épargnez-vous de pénibles séances de musculation et faites plaisir à votre banquier en restant mesuré sur votre choix.La stabilisation peut s’avérer très confortable à main levée dans les situations de basses lumières, quand les sujets sont fixes, ou que les sujets en mouvement n’ont pas d’intérêt dans votre image.