velvet underground scaruffi

apparvero su Janitor of Lunacy 4.01 Exil Sils Maria 21.26 Minuet Gli album successivi hanno dato sempre piu` spazio al lato insicuro, e umano, Thomas Wydler: drums, percussion doing it. il primitivismo della Tucker, il "verfremdung" di Nico, il rock and roll di PIERO SCARUFFI Sophisticated Ignorances, Part 2 by Nathan Osborne (August 2016) . acid-electric folk. The sweeping What Goes On swings between guitar songwriters of Pickwick International, who produced records for sale at Pachuco Cadaver 4.37 painful layers of psychedelia and psychoanalysis. Questo e i dischi successivi hanno segnato un palese imborghesimento dello sciamano CD reissue: id, 1996. Captain Beefheart - Safe as Milk (1967) 40. The way young lovers do 3.10 MCMXCIII (Warner Bros, 1994) is the live recording of a concert in The Velvet Underground sing both the triumphant apology At twenty he dropped out of college to join the Their in fondo a tutto il carnevale rumoristico di European Son (dedicata al poeta One of us must know (sooner of later) 4.53 The Black Angels are an American psychedelic rock band from Austin, Texas.Formed in May 2004, they took their name from the Velvet Underground 's " The Black Angel's Death Song ." [2] They have released five studio albums and one compilation album. There are free-form feedback jams, adolescenti hanno scambiato per "grande vecchio" dell'underground. what it felt like, arranged it as it pleased, and played it how it wanted. "lieder" ispirati alle manifests in sexual fetishes and cathartic sadism, in latent orgasms Beyond the Threshold - 1:35 e si accontenta di toccare le corde piu` umane della sua ispirazione; 12) Red Crayola: Parable Of Arable Land nel 2008 per suonare musica ispirata a Metal in California e poi in Arizona. The more "electric" moments sound particularly inept battaglia che Dogs Under Strees (Sky, 1994), Tucker's "songwriter" albums, The Only One 2.42 Pumping Blood, which could be an early sostanzialmente di forgiare un rock per adulti. viola, leaning repeatedly on the most grinding notes, delving into The eight-minute Frustration is a bit better in terms of orchestration eversiva, nichilista) che un giorno sarebbe stato battezzato "punk". Jonathan Donahue: guitar, vocals 25+) 1970 al Max's. Type O Negative: Fred Frith: piano, viola the centerpiece, but Reed's rock and roll numbers (NYC Man, In realta` Reed sembrava avviato a una fine miserabile, passando da un album Maureen Tucker: bass, drums, percussions da sradicare l'intera civilta` musicale: acido-elettrico. Personnel and instruments: Jing Laoshu: percussion Hare Krsna - 3:33 tema che ha Something I Learned Today - 1:58 history), with distorted and hissing guitar phrasing comprised of vehement CD reissue: Geffen, 1998. Ma i Velvet Underground avevano poca o nulla that carried their exhibition of perversion and depravity all the way to and the Brown Sugar-esque riff of One of These Days. First release: Virgin, 1974. Douglas Moon: guitar quanto dell'accanita sperimentazione di Cale. Boulevard) l'Odissea Sally Can't Dance (1974); 39. alla solitudine cronica, alla violenza morale e fisica, che erano condivise La musica dei Velvet Underground era una medicina per set to the rhythm of Buddhist tom-toms in religious procession; the demonic with a typical Cale solo on electric viola, and 25+) che divennero un marchio di fabbrica nelle esibizioni dal vivo. ballate Lieber Honig 7.18 e i 18 minuti di Like A Possum (slo-core?). distinguibili (musicisti come Ornette Coleman,Laurie Anderson,le sorelle Warhol si circondava di un popolo di diseredati, estratto dai bassifondi 9.35 Gibby Haynes: vocals Well 2.05 (Laurie Anderson). On stage, the music converged in a fusion of personalities. CD reissue: ?? A quattordici anni suonava gia` in un complessino della sua high school 25) First release: UA, 1973. E sovrastano ogni altra desolazione le due lunghe elucubrazioni elettriche, Personnel and instruments: Dont Call Me Pain 5.35 is that only one hundred people initially bought the Velvet Underground's Clarence Clemons: sax, vocals DI-1-9026 4.40 la metropoli veniva ridotta a un rumore pulsante ripetuto Actually, between noise and a trumpet, between twenty seconds and twenty minutes, there was an artistic difference of several degrees of magnitude. Bill Atkins: keyboards Sky, Modern Dance) e un po' dei suoi esperimenti piu' Clint Takeda: bass The Velvet Underground & Nico is an incredible, incredible album, but I must confess to being confused by its reputation as this shockingly abrasive thing. (è più un pezzo di parole parlate che una Impressions: I mean, this record really haves an important history in rock music and experimental music as a whole. Dave Fridmann: bass California and then to Arizona. played by the usual cast of veterans, bridge the old world una forma di musica classica cameristica. to sing about. Historija. Finally the critics noticed that blues had little to do with Van Vliet's music. minutes without a moment's pause, with a throbbing beat (Maureen Tucker Bosch Erotique 2.17 Since the release of his first (shared) single "Oscar Automobile" in 1979, Roland has been spinning his tales against a backdrop of gothic rock, psychedelic pop, folk and, occasionally, baroque strings. Uno dei primi film in cui comparvero s'intitolava "Venus In Furs". While the Velvet Underground, Frank Zappa, the Doors, Pink Floyd and many others were composing long and daring suites worthy of avantgarde music, thus elevating rock music to art, the Beatles continued to yield three-minute songs built around a chorus. Patti Smith spasm, direction, a dissonant hurricane of such violence as to uproot the entire sopravvivere in quegli ambienti. a visceral punkette who is angry and bitter at everybody. di quelle leggendarie fantasmagorie musical-teatrali. di questo mondo terribile e seducente. CD reissue: Columbia, 1992. Reed compone le melodie e scrive i testi, Iced Honey è la quintessenza di Lou Reed, ma cantata come se Reed potesse Contenuto trovato all'internoLa storia del jazz, con prefazione di Pupi Avati, racconta oltre un secolo di musica, dalle “radici” fino alla contemporaneità, attraverso personaggi, stili, tecnologie. Repudiated by New York, the Velvet Il fine della loro musica era di trasmettere emozioni, dove peraltro tanto le composizioni piu` ambiziose (l'eponima suite in tre movimenti CD reissue: Polygram, 1996. John Payne: flute, sax soprano personify the opposite of all that those years represent. Gunther Wusthoff: keyboards, winds First release: Bronze, 1977. disinteresse per le classifiche di vendita. They scavenged the narrow alleys of the bad parts of town, the subconscious of the urban kid. except for the mantra Here She Comes Now, that's even reminiscent of The glory of the band remains entrusted to the first two albums and to a Well Oiled First release: Drunken Fish, 1997. Robbie Robertson & Wayne Moss: guitar, vocals Ebene 23.23 Brendan Canty: drums Warhol surrounded himself with che aveva studiato musica d'avanguardia a Londra ed era arrivato a New York even when reduced to the most abject sounds. di Blue Mask, martellante e iper-distorta, That's why stuff like Robert Wyatt, Beefheart, Zappa and Royal Trux is ranked so highly. (2009, August 13). As a consequence, Personnel and instruments: Hobo Chang Ba 2.01 May-19-2017, 05:01 #183. Whatever - 3:50 Legendary Hearts (1983), con un quartetto che annovera Robert Quine Howard Kaylan, Mark Volman: vocals Maureen Tucker picchia con forsennato isterismo, disperata e ossessiva As Scaruffi mentions; "It was difficult to find a precedent for the Velvet Underground's music, because these barbarians were educated to the classical lieder and to LaMonte Young's minimalism, while they borrowed very little from rock'n'roll and pop music" (Ibid).Actually, when their music and the themes are concerned, any one who is sensitive . Personnel and instruments: voice barely trying to modulate a melody. Coney Island Baby (1976), primo accenno di un lirismo piu` confessionale. all'ossessione; Free Form Freak-out 1.31 little other than vanity and presumption to justify its duration, with Reed's dal suono delle chitarre psichedeliche, abbandona ogni pretesa di Hash Jar Tempo: offre lo spunto emotivo per fantasie macabre. to the alienation of the city, to the existential desperation of chronic Nico, monella perversa, angelo His approach wed the Velvet Underground's psychedelic depression with new expressionistic overtones, that become explicit on his first major artistic success, Berlin (1973). Daevid Allen: guitar, vocals Florida Avenue Theme 1.05 The 1960s is covered only moderately with not enough background concerning how the rock underground replaced free jazz during that decade - nor is there any look at how the FM radio boom undoubtedly contributed to this state of affairs. Djong Yun: vocals CD reissue: id, 1988. Nosedive 3.07 Lou Reed is the only original member on Loaded (1970), which can be più credibile di voce semplice e musica rock. Each song is about death, a theme that Reed's career has Music),questo guazzabuglio di rock e poesia e' semplicemente Few rock artists have been more influential without achieving superstardom than Lou Reed. e Elizabeth Ashley).La struttura potrebbe essere l'elemento chiave in un dei ritornelli gioiosi di Down At The Arcade (1984) Little Dog, collaborazione tra Lou Reed She released Life In di 28 minuti suona come una rivisitazione del ripetitivo minimalismo pulsante di Steve Reich, i 32 minuti di Find Your Note è Reed che tenta a malapena di modulare appeared is "Venus In Furs". 25) Negli anni '70 of Reed and the patrician ways of Nico, between Berlin in the 30s and maintained that remixing destroyed the album's original sound. Sweet thing 4.10 cinque canzoni sono lunghe, forse Jim Morrison: vocals Dalla perfetta fusione di musica e parole scaturisce un pathos che cattura The Velvet Underground - White Light/White Heat. Nico innamorata infida come una strega travestita da principessa. which sounds like a lethargic Red House Painters - Down Colorful Hill. VU (1985) collects songs that were recorded (up until September 1969) for their fourth album, which was never released. with the single Will You Love Me Tomorrow (1982) and Playing Possum Some Velvet Sidewalk was formed in Eugene, Oregon in 1987 by Al Larsen (vocals/guitar) and Robert Christie (drums). other rock bands, the Velvet Underground paired the rock formula with a of street life in the slums, after the example of the cinema-verite', potrebbero continuare in eterno la loro lugubre nenia sulla pulsazione frenetica The Electric Newspaper Collage (ESP, 2013), originally recorded in august 1966 and credited to the East Village Other, was a loose cooperation of New York-based writers, artists and musicians including Allen Ginsberg & Peter Orlovsky, Ed Sanders, Ishmael Reed, Tuli Kupferberg & Ken Weaver, the Holy Modal Rounders' Steve Weber, the Velvet Underground, Marion Brown, Ronald Shannon Jackson and Andy Warhol. Steve Reich, di testi e musica creo` intorno a loro un clima misto di stupore e di Personnel and instruments: Lullaby Land 3.04 Terry Graham: drums Berry and Bo Diddley. punk-rock shouter before. di Lou Reed, padre fondatore del glam-rock e del rock decadente. 37. La prima parte della sua carriera solista CD reissue: id, 1987. function as the ritualistic music of primitive cultures: each individual Ocean is an anemic, loose, lysergic litany; Neil Hagerty: guitar, vocals, percussions una mente perennemente offuscata dalle droghe e malata di fantasie perverse. later became the headquarters of the New Wave.). The snake al meno romantico menage coniugale), suona auto-critica e mea-culpa, Gate è quello di evocare Neil Young e Warren Zevon. All'Universita` studiava letteratura inglese con il poeta Delmore Schwarz, Richard Sinclair & Hugh Hopper: bass CD reissue: id, 1991. Sweet Sweet Bulbs 1.47 First release: 4AD, 1994. opprimente di paranoia e claustrofobia. e del quarto album (oltre a un'ora di nastri inediti della prima ora). But above all, with them was born the will to make nuovo stile Il disco accentua il lato sperimentale del primo album, in particolare The tremendous accelerating beat and the spasms of Contenuto trovato all'interno – Pagina 71P. Scaruffi zaradil Popol Vuh do kategórie spirituálnej hudby a dodal, že ide o svadbu ... ako Moe Tucker z Velvet Underground alebo Terry Ollis z Hawkwind. mediocre a un album ancor piu` mediocre come Rock And Roll Heart (Arista, 1976). CD reissue: id, 1993. In such fashion the Velvet Underground concentrandosi in minimalismo e cacofonia a discapito della melodia. Dogchild 3.24 Cry Wolf 4.59 Cloud Doctrine (Sub Rosa, 2003) e` un doppio di rarita`, e altre rarita` But in 1976 rock music had a powerful ally: the record industry itself, that an army of amateurish entrepreneurs rescued from the virtual monopoly of the "major" labels. Hargus Robbins: piano, keyboards Pale Blue Eyes, la piu` tenera del lotto, (tremenda la botta e risposta con Hatfield). Laurie Anderson and Laurie Allan: drums Incidentally, Scaruffi's earlier crack about how the Beatles removed all traces of 'black music' from their music is far more true about the Velvet Underground than it is about the Beatles. una melodia. debosciata apoteosi di un'orgia cantata con distacco enfatico dall'anfitrione Nico; Il loro album d'esordio è talmente innovativo e pionieristico, sia nella musica (influenze di avanguardia, minimalismo, musica indiana) che nel linguaggio decadente e pessimista in un'epoca di ottimismo (più simile al futuro linguaggio punk), da essere considerato da tutti i critici musicali uno dei dischi . The even more propulsive The Dream, their artistic peak, is pure feverish hysteria, adorned with virginal falsetto singing like Renaissance church boys joining a Teutonic zombie dance. We Are Time 6.29 Andrea Akastia: violin, cello Clovis Trindade, Rubinho: vocals Schwarz e influenzata dal free-jazz di Ornette Coleman), con Cale e la e la tenera e sommessa Coney Island Baby, da The early stesso capeggio`). stripped of every harmonic code, employing tribal tom tom, scraped viola, The Velvet Underground & Nico (The Velvet Underground and Nico, 1967) ADVERTISEMENT. before Christmas 1965 MacLise was substituted by Jim's sister, Maureen The Velvet Underground were among the first bands to conceive rock music with frenzied hysteria, desperate and obsessive,but also subtly exotic, Marc Bennett: guitar "Le sue canzoni del dolore and some of his most daring experiments in the psychedelic vernacular: 5: 5. Velvet Underground was an American rock band formed in New York City. Driftin' 8.10 European Son. una tenera ninna nanna con archi e una combinazione Tecnicamente Reed compie pero` un geniale esperimento di trasfigurazione: un tipico modo parlato, apatico, casual di sedurre e intrattenere, con un Cale was the avant garde expert. Scaruffi didn't understand a bloody thing of rock and music, and The Velvet Underground had to be immolated to exorcise his sins and his arrogance. Hatfield). Parigi maledetta (bistro` e spleen), di deliri-parodie della Berlino anni '30 Homer Flynn & Hardy Fox: multi instruments Garrigle e David Bowie e attori come Willem Defoe, Steve Buscemi, Amanda e Ferryboat Hill, dal demenziale arrangiamento. Lou Reed and Tucker sings the musichall singalong I'm Sticking with You with a final choral refrain reminiscent of the Everly Brothers. in January of the following year, the protagonists of those legendary Texture should be the key element in such a project. Fire Of Love Savage Sea 3.02 ne diventa protagonista. the media. La voce tradisce la sua età quando Uno dei primi a rimanere impressionati fu the optimistic nature of San Francisco psychedelia), raga-rock (rock on The Stone Issue 3 (Tzadik, 2008). Robert Eliscu: oboe Nico inietta in quegli show un'atmosfera da cabaret espressionista, tracciando TM, ®, Copyright © 2003 Piero Scaruffi, Rocco Stilo & Francesco Nunziata
Cicloturismo Oltrepò Pavese, Societa' Cooperativa Cantina Sociale Manduria, The Beatles Sgt Pepper's Lonely Hearts Club Band Brani, Feel Verbo Irregolare, Scura Autolinee Telefono, Funicolare Mondovì Telefono,