leica 12 60

For the real macro fans for whom 1:1 is a minimum requirement, it will not suffice. It’s a particularly good partner for any of Panasonic’s larger G-mount cameras, especially the GH5 we used for our tests, whereas the lighter Lumix lens is better suited to the smaller and lighter models in the range.A Google search for this lens showed a few local online stores offering it at around AU$1000, which represents good value for money. lens is very solidly built but remarkably light and compact for a lens of its quality. (combined optical and sensor stabilisation) of select Lumix cameras and you can achieve good results down to around 1s with both lenses:Naturally, your results will depend on many factors beyond just the innate capabilities of the lens, including how much sleep you got the night before and how much coffee you’ve had to drink, so don’t take my results as gospel. Let’s get started!The Pana-Leica, being the more expensive product, features a solid metal barrel that is not only dust and splash proof but also freeze-proof down to -10℃, whereas the Lumix is primarily constructed of high-grade plastics and is only weather-sealed against dust and moisture.Although both are small and light enough to be a good match for most mid-to-large sized Micro Four Thirds bodies, the Pana-Leica’s wider barrel may extend beyond the bottom of some smaller models, making it difficult (if not impossible) to mount the camera on a tripod.

To keep the lenses compact, they chose a variable largest aperture. POWER O.I.S has a nice, big range, good shortest set distance, outstanding image stabilization and an image quality that makes it one of the best zoom lenses for Micro Four Thirds.In this zoom range, however, there is a lot to choose from. Those are the M.Zuiko PRO 12-40mm f/2.8 and the M.Zuiko PRO 12-100mm f/4. For its coverage, portability and performance, this well-built, all-weather lens is ideal for travellers with M4/3 cameras, covering a wide range of subjects, from landscapes to portraits. The LEICA DG VARIO-ELMARIT 12-60mm F2.8-4.0 ASPH. The Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 ASPH is a new standard zoom lens for the Micro Four Thirds system. Weighing only 320 grams, it is 110 grams heavier than its Lumix-branded sibling but includes weather-resistance and … The corners lag a bit in the wide-angle mode, but the difference is not great. The lens has two setting rings. Filter d… A new version of this just appeared with improved image stabilization. The trailing edge is smooth and has six focal length settings stamped on it, covering 12mm, 18mm, 25mm, 40mm, 50mm and 60mm.These line up against a white line on the non-moving section of the lens barrel, which is cylindrical for about 13 mm before pinching inwards to the lens mount. Despite the larger zoom range and the better shortest set distance, the lens is only a fraction larger and heavier than the Panasonic Lumix G X Vario 12-35mm f/2.8.The lens is solidly built, but is not completely made of metal. You will also miss the advanced DFD autofocus of Panasonic. In between, distortion was effectively negligible.The inner focus linear motor drive provided good support for the camera’s high-speed, high-precision contrast AF system for both photo and video recording. In the wide-angle mode, the shortest set distance is 20cm; in the telephoto mode, it is 24cm. For users of the top model cameras like the GH5 and the GX8, that’s no problem, but on the models below those, there is no separate button for the autofocus. There is some slight barrel distortion too at 12mm.The Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 ASPH lens has a maximum 0.3x magnification rating and is able to focus at 0.2m/0.66ft away from the subject when set to 12mm and 0.24m/0.79ft at 60mm.Bokeh is a word used for the out-of-focus areas of a photograph, and is usually described in qualitative terms, such as smooth / creamy / harsh etc. Lens coating: Nano surface coating 5. It reverses over the lens for transport and storage. This means that the former is slightly more versatile in low-light situations and can create more shallow depth of field when set to the same focal length as the Lumix.Turning to the features on the barrel, we find two handy switches on the Pana-Leica: one to switch between AF/MF and the other for Power O.I.S. Spanning a useful wide-angle to short telephoto range, the Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH.POWER O.I.S. Bokeh should be superior in the new lens in most situations.Finally, it can be used on both Panasonic and Olympus camera bodies, although autofocusing is handled better on the former. However, recognising that bokeh evaluation is subjective, we have provided a few examples for your perusal.In order to show you how sharp this lens is, we are providing 100% crops on the following pages.

POWER O.I.S. The Micro-Four-Third system uses an automatic distortion-correction thus from a user perspective, there is little to worry about. You see that especially in the telephoto mode.Another competitor from its own family is the Lumix G X VARIO 12-35mm f/2.8. Both issues can be corrected with a post-production software such as Lightroom.The Pana-Leica and Lumix both come with built-in optical stabilisation which Panasonic calls Power O.I.S. Bokeh should be superior in the new lens in most situations.The lens can be used on both Panasonic and Olympus camera bodies, although autofocusing is handled better on the former.