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It was hailed as a romantic classic of eternal love. In 1968, when Broomfield was 20, he’d just finished his first year at Cardiff University, where he was reading law.

The couple had a tempestuous relationship, with the writer determined to reject bourgeois conventions in ways that conveniently coincided with his interest in other women.

Cohen was living at the famously louche Chelsea hotel in Manhattan and hanging out with people such as Janis Joplin (about whom he wrote Chelsea Hotel), Joni Mitchell and Nico from the Velvet Underground. As Broomfield shows in his film, very few of those who gathered on Hydra emerged with either their art enhanced or their lives more sorted. . Without making any conscious decision, she effectively became his muse.By today’s standards of gender equality, and the #MeToo awareness of male abuse of power, the very idea of a muse seems a dubious anachronism. “She was the life and soul of the party,” he recalls, “and she made me promise to go to Hydra when I got off the boat.”He kept the promise and encountered a captivating new world. Most often, they burn out and remain only as embers in the memory. One night, she was mugged on the doorstep. Post was not sent - check your email addresses! This old body has given up, just as yours has too, and the eviction notice is on its way any day now.“I’ve never forgotten your love and your beauty.

It’s delivered with warmth and irony, but it also speaks of a painful truth.There were stints together on Hydra, in Montreal and, most unhappily, in New York. He had fled the grey and damp of London to work on his first novel. The shimmering Mediterranean gently lapping at the sun-bleached shore of a gorgeous fishing village: it’s a scene that creates a timeless sense of the world in which feelings, intensified by the heat and light, can seem as if they will last for ever. Following Cohen’s lead, she also dabbled in Scientology. “But I think Leonard always gave her the credit that was her due.”It was out of a desire to rebalance the image of the couple, he says, that he put Ihlen’s name first in the title.

According to Broomfield, who met Cohen several times, the singer wanted to have Jewish children, something that Ihlen accepted, though he thinks it was an enormous disappointment to her that they didn’t have a child.

She did what she wanted to do to bind Leonard to her by .

This was Suzanne Elrod, who, depending on which account you believe, met Cohen in the Chelsea hotel lift or at a Scientology meeting in 1969. Suzanne Elrod, Mother Of Adam & Lorca Cohen: “She [Leonard Cohen’s mother] was his most dreamy spiritual influence. That’s an interesting combination.”It was around this time that the young Broomfield turned up in Hydra. It was about as far from being a folk singer’s muse as it’s possible to conceive.

Cohen kept her at a distance, informing her that the Chelsea hotel wasn’t “her scene”.“I think it was a very harrowing experience for her,” says Broomfield.Few of those who gathered on Hydra emerged with their art enhanced or lives more sortedIt marked the end of the affair and equally, as the 1960s came to a close, the end of an era. She and Leonard were never married although he did sometimes refer to her as his wife. At first, he says, he lived with her for most of the year, then two months, then two weeks, until, he says in a wry delivery, he lives with her two days a year. He was very romantic and also I guess really horny. But, pretty and alluring as the island was, it required labour to live there. It was a common preoccupation among the expat community and not always restricted to the men. With her son, Marianne moved into a run-down apartment in Clinton Street.

Goldman doesn’t believe that Ihlen ever saw her situation through any kind of feminist lens.

After one long split, Jensen and Ihlen got back together, married and had a baby (Axel Jnr), only for Jensen to meet another woman and leave shortly after the child was born.

As for a later girlfriend, Suzanne Elrod, “the word ruthless is the word that comes to mind. But you know that.

The incursion is subtly handled in the film, with the Englishman deliberately minimising his part so as not to distract from the romance at the centre of the film. Suzanne Elrod (or, Suzanne #2) In 1969, a 35-year-old Cohen met 24-year-old Suzanne Elrod. He was particularly concerned about Axel, to whom he’d been close, and spoke to Broomfield about the boy when they met up.Ihlen returned to Norway to live and found employment working in a secretarial capacity for a company building oil platforms.